There are moments where it almost seems like the film is destined for greatness, but it just falls short on so many levels that all it can do is be a somewhat entertaining diversion for a couple of hours.
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A Wrinkle in Time is a mixed bag – while it’s a high budget (over US$100 million) remake of the beloved novel and checks off many boxes in the diversity checklist (black female director, racially diverse casting choices), a very unevenly developed storyline, wooden performances and sporadically subpar visual effects detract significantly from the film. It’s undoubtedly still entertaining and should appeal somewhat to the YA and younger demographic, but it’s hard to imagine audiences being enthused enough to recommend this film to friends and family, unlike, for example, Disney’s immensely successful (and still running) Black Panther.
It would always be a challenge to adapt Madeleine L’Engle’s novel for the big screen due to the massive number of ideas and plot threads L’Engle had placed in a relatively short novel, and even with the deep pockets of this film’s production budget, the end result is hit and miss. The Christian subtext has been gutted from the screenplay, and a rather pivotal character (Aunt Beast) has been excised entirely, and even the villain’s appearance and methods have been altered somewhat. What does remain is thus even more confusing, and character motivations come across as being very muddled. While Storm Reid does a decent job as Meg Murry, the same cannot be said of the remainder of the cast – Deric McCabe, in particular, is landed with a thankless role of trying to be a precocious child prodigy (but ends up being more Children of the Corn than anything), and the many famous faces that are in the film end up being celebrity cameos that bring nothing to the plate.
Some of the worlds that the ensemble “tesser” to are indeed gorgeous works of art (as are some of the crazy outfits that the Mrs Ws wear), but then there are also sequences where it just feels like the production ran out of budget to complete the CG work, none more egregious than the protracted (and ultimately unnecessary) visit to the Happy Medium (unfortunately played by a rather miscast Zach Galiafianakis), which is so terribly rendered it looked like a stage production more than a location in a film that cost many millions to make.
Most frustratingly, however, is how all the storytelling and world-building ends up for naught. The denouement of A Wrinkle in Time lacks any form of true coherence and concludes the film on a whimper, leaving many questions unanswered and most audiences who haven’t read the novel prior feeling puzzled and underwhelmed. It really is a darn shame, because there are moments where it almost seems like the film is destined for greatness, but it just falls short on so many levels that all it can do is be a somewhat entertaining diversion for a couple of hours.
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